martedì 30 gennaio 2018

John Wick - 2014

A really good action movie, I liked it, better than I was expecting. The shooting scenes were very good, not so much the hand-to-hand-fight scenes, those seemed a bit fake, kind of slow or far away, if you know what I mean, but there wasn’t a lot of them anyway. Most of the time Wick uses weapons.
It starts showing a wounded Keanu Reeves (but we don’t need a formal introduction to know that he’s the title character John). He looks at a video on his phone showing a happy moment with a woman, and the scene seems sad enough to make everyone understand that he lost her already, then he sort of faints. Next scene is clearly in the past, but we’re not told how long before it is.
John is in a beautiful house but all alone. He attends his wife’s funeral, and looks destroyed. At home, he receives the last gift from his wife: she was sick, she knew she was dying, and she arranged for this gift for him, with a card that said that she knew he would need to learn to love again, and a good way to start was with a puppy! John opens the dog carrier and takes with him a beautiful puppy called Daisy, so so adorable! He cares for Daisy, and that cheerful loving little thing is what he needs to keep going. 
One day he goes out with his car and stops for fuel. A Russian guy admires his old car, and asks him how much he wants for it. John replies that it’s not for sale, and we see that he understands and speaks Russian.
The Russian bully doesn’t take the no well, and when that night we hear the dog barking, getting up from their bed and running downstairs barking, we have no doubt, have we? John doesn’t think anything of it, though, he only thinks the dog needs to go outside, so when he comes downstairs he’s totally unprepared. The guys that he met before attack him now, steal his car, and what’s worse, they kill the little darling. That was painful! The next image is the saddest of all: a blood trail showing how the dog painfully moved towards him, to lay at his side. When John comes to, he mourns the death of Daisy :’(
The Russian guys took the car to their usual garage, where they always bring stolen cars, but Aurelio there (John Leguizamo) is upset on seeing the car; immediately he asks where it comes from, and when he learns that they beat up a guy to steal it, and killed his dog, he punches the guy Iosef (Alfie Allen) knowing very well that he’s the son of a boss, saying that he’ll understand… and yes, the scene most full of the right atmosphere is exactly that, when boss Viggo (Michael Nyqvist) calls Aurelio asking him if it’s true: “I heard you struck my son” - “yes sir I did” - “and may I ask why?” - “because he stole John Wick’s car, sir, and killed his dog” …. “Oh”. I think this is the first time we hear the full name, and seeing how the Russian mob boss reacts to the name makes you understand a lot of things. There isn’t really any need for more explanation, but Iosef is too stupid to understand things that are not very clearly explained to him, so Viggo explains that John Wick, called the Baba Yaga, was not the boogeyman, he was the guy you sent to kill the f.. boogeyman! 
Viggo knows that John will come after Iosef, so he arranges for every man available to go after John - well, they weren’t all that many, when Viggo told his man Avi (Dean Winters, Svu’s Cassidy) to send all his men (“how many do you have?) I expected more… either Avi didn’t take it too seriously, or he didn’t have that many men available…
It’s no surprise to see that John has weapons hidden in the house, he was an assassin after all. He left the job when he fell in love and got married, but now he needs his stuff again. When they come to his house, he kills them all. I got a little worried when a policeman (or a sheriff’s deputy, maybe it’s more correct, not sure) knocks at his house. They know each other by name, and I got a bit worried that he might have to kill an innocent cop that he had known for a while, but they surprised me here. It went like this: cop looks over John’s shoulder and sees a corpse on the floor, says: you back on the job? John replies: no, just a personal matter, or something like that. Cop says:ok I’ll leave you to it then, goodnight. John says goodnight Jimmy and closes the door… just like that… Ok, fine with me. 
Viggo uses all the men he has to protect his son (who doesn’t seem able to grasp the danger, that’s too much for his little spoiled brain) and also puts a two-million-dollars reward on his head. He also hires another skilled assassin, Marcus (Willem Dafoe). John takes a room at the Continental, which as we learn is a hotel - full of that kind of people - where rules are important, and is forbidden to do their ‘work’ in the hotel. A woman assassin, Perkins (Adrianne Palicki) is willing to break the rules, nothing seems to matter to her, she’s one of those ‘f.. the rules’-type :-/ She gets offered four millions to kill John inside the Continental, and she tries, but John had been woken up by Marcus with a shot on the pillow (did anyone here really believe that he missed? No, he wouldn’t have missed had he wanted to kill him!) and stops her. He doesn’t kill her, instead he offers another guy there that he knows, Harry (Clarke Peters) to babysit her for a while, for a coin (some golden, or gold coin that seem to be a special currency in their private world). Unfortunately, she frees herself and kills Harry right there in the room :-/ I was sorry to see that.. I mean, this is a movie with bad guys against bad guys, so the viewer is drawn to choose a side, which of course is the side of those with either a heart or at least a code, some honour left. This of course makes Iosef, Perkins and Viggo the villains, while Harry was one of those I liked. 
The hotel manager (Lance Reddick) apologizes to John for the inconvenience at the hotel with a car, and the owner Winston (Ian McShane) - I think he was the owner - gives him information about Iosef and Viggo.
John kills almost all the men protecting Iosef, but he manages to get away because John gets wounded (this actually happens before Perkins attacks him, right before a doctor at the Continental patched him up).
After that, he goes to the church that Perkins told him to be a cover for Viggo’s important operations, where he keeps not only money, but also important documents that he uses to blackmail powerful people. John kills a few men and sets the ‘vault’ on fire. During another shooting, Avi hits him with a car and he’s taken prisoner - not killed right away when he’s unconscious, maybe because Viggo is very pissed about the documents and  wants to shout at him, wants to know if it really had to come to this! John tells him that the dog was the final gift from his wife, and a chance for him to have hope, the hope of not being alone, until his son took it away from him…
Viggo orders two men to kill John, and they are choking him with a plastic bag when Marcus kills one of them from far away, saving his life for the second time. Now John frees himself and goes after Viggo to have him reveal where Iosef is, in exchange for sparing his life. Viggo tells him, also adding that they are expecting him, of course. John says that he knows “but it won’t matter” eheh cool :-p
John kills all the guards and finally reaches Iosef and kills him too.
Finally, really. Now, could this be the end? No, it’s not, because Viggo couldn’t let it go and takes it out on Marcus who betrayed him… Viggo beats him up badly, but it's actually Perkins that shoots him first, then Viggo shoots him some more times. Maybe for safety reasons, to be absolutely sure he’s dead, but knowing the type it could also be that he was so angry, it just made him feel better.. Learning that he killed Marcus, John goes after him as well. 
Finally the end of Perkins, when she gets surrounded by Continental men and Winston tells her that she’s no more welcome there because she broke the rules, and they execute her. Good. Rules are rules.
John kills all his men, he kills Avi with the car as a payback, then has the final showdown with Viggo, and of course kills him too.
Now we’re back at the scene at the beginning of the movie, when John is on the floor but is not yet dead. He comes to, gets up, breaks into a vet clinic and takes some stuff to patch himself up as he can, and then he sees a dog. I don’t know why he chose that specific puppy, maybe it was ‘crying’, or maybe looking at him with big melancholy eyes, I don’t know. Anyway, John frees him and takes it home with him :-) Good.


Batman & Robin - 1997

This might be the worst superhero movie I’ve ever seen… and to those who take a look at the cast and smirk at the Schwarzy name, he’s definitely not the worst thing in here! Actually, he’s just what you expect, no more no less, it’s the rest that it’s terrible. If forced to find something good in it I can only say that Clooney’s cute and Ivy’s makeup is very cool. Can’t think of anything else. And that’s definitely not enough.
First of all, I don’t like Robin, and the first lines of the movie set you right in what the movie will be: they dress up, Batman (George Clooney) prepares to leave with the car and Robin (Chris O’Donnell) says “I want a car” sounding very much like a child, and adds “chicks dig cars” sounding very much like a stupid kid. Batman answers “this is why Superman works alone”… which is supposed to be funny, but nothing really is in this movie because every line sounds so fake, everyone in here speaks in the same way, like they never rehearsed once, someone simply told them ‘stand there and say this”, in a parrot-like manner, or worse, in a mocking-actor kind of way - you know, the voice you make when you mock dramatic acting by putting your arm over your eyes declaring lines in an exaggerated way… that’s how they all speak.
They are told that someone calling himself Mr Freeze (Arnold Schwarzenegger) is robbing the museum - he wants a very, very big diamonds, because apparently his freezing machines consume diamonds…
It’s all very silly, the minions using ice-skates and hockey-sticks, Freeze freezing a dinosaur instead of them (why??) and leaving on a rocket only to launch himself out after freezing Batman’s wrists (why just the wrists?). Robin saves Batman and they launch out too, looking like Silver Surfer, only not as cool.
A mad scientist, Dr Woodrue (John Glover) creates not a supersoldier, but a super-killing-machine making experiments using plants venom and murderers condemned to the death penalty. He creates Bane, but when the other scientist working there sees it all and refuses to join him calling him a psycho, he reacts badly to rejection and kills her. She had an obsession on protecting plants from extinction, and was trying to create plants that could fight back and survive. Killed in her lab, under lots of plants and venoms, she comes back as Poison Ivy. Obviously the scientist had a dirty look about her, all messy and unattractive, while Ivy is like Jessica Rabbit, because that’s how it always works :-/
Ivy (Uma Thurman) has a poisonous kiss and kills Woodrue, and destroys her lab, who knows why. 
Freeze was a nobel prize winner for medicine, obsessed with finding a cure for his sick wife, when he fell into something and came out as Freeze.
They’re the two villains of the movie, only they have very different goals: Freeze wants enough diamond-power to freeze the city in order to blackmail them because he needs money to find the cure, while Ivy wants to kill everyone on the planet and replace them with her carnivorous, mutated plants. Her personal way to save the planet.
As if this wasn’t enough, there is more: Barbara (Alicia Silverstone) comes to the Wayne house to meet her uncle Alfred. After her parents died she started doing illegal and dangerous bike-races.
Alfred (Michael Gough) is dying, and there are a few scenes to show the Alfred-Bruce bond over the years, the way he raised him like a son, which is a nice thought wasted in a terrible movie.
When he’s not Batman, Clooney makes all the tilting-of-the-head, sparkling-eyes movements that are his trademark.
Ivy uses pheromone dust to get men to do what she wants, and Robin starts acting dumb, like “she loves me not you and you can’t stand that” :what is he, 16?? The actor was what, 26, 27? The character seems more like a capricious teenager!
Let’s not even talk about the Batman-credit-card, let’s just draw a veil over that, please.
The story continues: Batman captures Freeze, Ivy and Bane free him. Ivy deactivates the wife’s life support system to kill her and tells him Batman did it. Together they plan to freeze the whole city, and then the whole world. 
Alfred gets worse, think he’s dying, and he gives a disk to Barbara telling her to find his brother because “only family can be trusted” and he adds “I implore you never to open it”: first thing she does as she leaves his room is to open it, which proves that his family can NOT be trusted. She tries lots of passwords until she finds the right one, Peg, her mother Margaret’s nickname. She learns everything about Batman and Robin, goes down to their cave where she sees that Alfred put his “brain algorithm” into the “batcomputer” to create a simulation that recognizes her, saying that he anticipated she’d want to help B&R (so shy did he even try to prevent her from opening the disk?) and Alfred also made a batcostume for her *sigh* 
Costumes that are so tight, by the way, that one wonders where they could possibly hide the countless gadgets they use: bombs, hooks, the lasers, plus the gadgets to cut things, to heat things.... they definitely look like different gadgets, which they sometime leave carelessly behind, not just one Swiss-army-knife-kind-of-gadget.. 
Barbara bursts in to save B&R from Ivy with a girl-on-girl fight, calls herself Batgirl of course, and proves to be a computer-genius when she only needs a second to align the world satellites to defrost the city :-/
It turns out that everything you needed to defeat Bane was to pull out the tube attached to the back of his head: all the venom came out, he turned back small… and the bat-kids just left him there where he was, and we know nothing more of him… but wasn’t he a murderer to start with?? :-/
Batman proves to Freeze that Ivy deactivated his wife, but tells him that he activated her again and she’s still alive as he left her, and that he could continue his research and save her… this is because, who can guess, Alfred has the same rare disease! Only on the first stage, so Freeze has a cure for him right there and gives him to Batman, and he saves Alfred! What a coincidence!
We see Ivy in a cell doing he-loves-me-he-loves-me-not with a flower, which is not a good thing for someone who wants to protect plants. Freeze shows up as her cellmate, in revenge-mode, but we see no more of them…
The end: Batman and the Bat-kids running in the dark, hero-like-mode :-/

Seriously??? :-//

domenica 28 gennaio 2018

Jack Reacher - 2012

It was nice enough, not bad, a good action movie. I think Tom Cruise is a nice enough choice here, because people in the film look at him and sort of laugh at his over-confidence, what they think it is, but then he kicks their butts in a second :-p There are other actors but the movie is really all about him. 
A little detail that I don’t like is how they trick you, in a dishonest way in my opinion, because they make you see something and then they tell you it never happened :-/ This really annoys me. 
Story: a sniper shoots five random people in a park. Detective Emerson (David Oyelowo) is on the case: he finds the place immediately, where the guy parked his car to shoot, and he retrieves a coin that was used to pay for the parking space. 
Fingerprints on the coin lead him to arrest James Barr (Joseph Sikora); instead of making any kind of statement, Barr only writes “get Jack Reacher” and says nothing. 
Emerson talks to the DA (Richard Jenkins) about it, wondering who this man is and how can they find him since he appears to be a ghost: no mail no cell, no address… they only know that he was in the military. Emerson says it’s impossible to find him if he doesn’t want to be found, and right at that moment Jack Reacher (Cruise) comes looking for them. 
He wants to see Barr but can’t talk to him because he’s now in a coma after they let some prisoner beat him. 
Reacher says he’s not here to help him, they’re not friends, he’s here to nail him once and for all. 
The DA’s daughter is Barr’s defence lawyer, against the death-penalty: Helen (Rosamund Pike). She wants Reacher to help her with the case. Reacher tells her Barr’s story: he joined the military and became a sniper because he wanted to kill people legally, but after two years of war he never received the order and never fired one shot, so he simply killed four contractors, just four random men, but he got away with it because it came out that those ‘men’ had just spent the night raping women, so the whole thing was shut up. She still wants Barr to have a fair chance at not being killed by the State, and eventually Reacher accepts, because something’s not right and he wants to understand how things really went.
A guy (Michael Raymond-James) follows him around to check his every move, and when he can’t reach on the phone his bosses, he takes an initiative that will cost him his life, ‘cause those people didn’t like his ‘initiative’: he paid some guys to beat Reacher up, thinking that five guys would be enough… so these guys pick a fight with him at a bar, dumb enough to not wonder why Jack never looks scared or even a little bit concerned, obviously thinking he’s the dumb one, like dumb people always do, until Jack beats them up in a second. 
Jack’s put in jail but Helen gets him out. Jack keeps investigating, going after those guys to learn who paid them (and two guys with baseball bats couldn’t stop him, not even the third one with a gun… and Jack fought them after getting hit in the head once with the bat…)
The fact that someone wants to stop him from looking into this whole thing makes him even more sure that something’s not right. Things don’t make sense: the place that Barr supposedly chose was a bad one, with the sun in his eyes, and the fact that he paid the parking and even missed a shot… Jack becomes convinced that this time he’s innocent, someone who knew his past framed him for this, and also that it was not a random shooting: they had a specific target, and killed four other people to cover it up.. they wanted to kill a woman that stubbornly refused to sell her dead husband’s company: Oline Archer.
Helen at first doesn’t believe his innocence, and anyway says that she’s just a lawyer, not a cop. 
The bad guys kill a girl to frame Jack, who had spoken to her shortly before. There’s a car-chase scene, when Jack tries to escape the cops looking for him, but also to catch the bad guys who were following him. It was a nice scene when he joined some people on the street to avoid the cops, and when the cops arrive the men there covered him: one gave him his cap, another one stood in front of him :-p
He calls Helen, tells her that someone wants him to stop investigating but he won’t, and also that someone betrayed, and that only three people knew of him being on this job: Helen, her dad and Emerson. Since her dad repeatedly told her to stay away from Jack, she starts suspecting him.
So, it’s Emerson: right after her talk with her dad, Emerson attacks her and gives her to the bad guys that use her as an hostage, a bait to lure Jack to them. Jack calls them - well, he calls Helen’s phone and they answer: at first he says I have proof and will go to the feds, then calls again and makes a rather good speech on the fact that if they hurt her in anyway he’ll disappear for now but will always be hunting them because he’s nothing else to do and they’ll be scared… something like that, it sounded better in his own words.
He calls the guy that owns the firing range place for backup, and he brings him a knife… (Robert Duvall  :-D )
Of course Jack goes right away to save her; he gets everyone outside, but when it comes to the young guy we knew, I don’t remember the name but he was the actual sniper, he throws down the gun he had taken off somebody, and they hand-fight… :-/
Come to think of it, I don’t remember how it ends; I mean, of course Jack wins, but does the other guy die or not?
Jack goes to save Helen: Emerson is hiding behind her pointing his gun at the door, and yet as Jack comes in he’s able to shoot Emerson dead without getting a single scratch… the only one left is the old guy, the one that survived bad prisons in Russia or something, and Jack shoots him in cold blood to avoid him getting away with it.
After that, Jack goes away. 
When Barr wakes up, he doesn’t remember a thing, he knows only what he heard from people talking, and he’s sure that if they say he did it then he probably did it, because he’s done it before, and he cries, saying nobody can protect him because ‘there is a man’… yep, Jack, who promised him that if he made another mistake he would come for him… :-p as he did..
Helen tells him she’ll take care of him :-)
Honestly I would have gladly done without all the sexual innuendo, like everytime he came closer to her, or when he took his shirt off  because his own was wet and didn’t have another one, stuff like that as if she had nothing else to think about… :-/ But, I’m glad that they didn’t go for it, and there is no romance between them two. Good. 
ITA Jack Reacher la prova decisiva


Laws of attraction - 2009

I usually like Julianne Moore, but not here. The movie was not bad, I liked a lot Pierce Brosnan as Daniel Rafferty, Michael Sheen as the singer Thorne, and Parker Posey as Serena, I liked her a lot, and Frances Fisher as Audrey’s mom was fabulous, and Nora Dunn as the judge was the funniest part, but Moore’s character Audrey Woods sounded so fake, it was not very likable, sometimes very annoying… I didn’t like her at all in this movie, and she’s like the lead character,so… I never thought I’d say this before seeing this movie, but I think it’d have been better with a different actress… sorry, I saw her in many other movies and she was spectacular, so I feel bad about saying this, but it is what it is.
The story: Audrey is a divorce lawyer who’s never lost a case, but now she finds herself against a new attorney, new in town that is, but with a brilliant career as well: Rafferty. He’s very different: she’s very uptight and rather arrogant and cold, while he likes to tease her and is more loose and… well, more like a normal human. 
He wins the case against her, then talks to the press teasing her, and she feels challenged. There’s a scene where she goes to his office to talk to him but he’s not there, and the makes stuff fall on the floor than tries to clean things up and runs away when she hears him coming… and it suppose that should have been a funny scene, but she was not funny and it was not clear why she thought she had to run, she had come there to meet him after all…
Later they arrange a meeting, and he takes her to a Cuban club. She says it’s only a business meeting, not a date, because she doesn’t believe in marriage and therefore she doesn’t date… yeah right.
They have a drink and he says that it means “just because I’m trying to kill you it doesn’t mean that I don’t love and respect you”. She takes it as a challenge and keeps drinking to show off, she gets totally drunk, kisses him and sleeps with him. In the morning, they both have to go to trial and he plays dirty, holding her panties in his hand to throw her off. 
They keep facing each other in court many times, and he keeps asking her out and she keeps saying no.. pride I guess.
Then, she hears that a fashion designer, Serena, wants to divorce her famous husband, Thorne, and tries to get her as her client, but she goes for Daniel, so Audrey go to Thorne offering her services, so that they are again against each other. 
Serena and Thorne say they don’t care about it, they merely want their castle in Ireland.. both of them, so Daniel and Audrey go there to determine who it belongs to… both, of course.
They both attend the local festival, full of dance and drinks; they get drunk, they dance, and they get married. 
She’s out of her mind, tells all about it to her mother, wants it to be annulled, but then news go out and it appears in a newspaper, so now they decide it’s best for their careers to pretend it’s true and act like they meant it. From now on, they fight in court and then go home to live together at her house. It seems to go well until he finds a document in the trash: she was throwing it away, he reads it, and finds out something that should have been kept private, lawyer/client confidentiality or something, and obviously Thorne is very upset.
She’s hurt that he used that and tells him she wants a divorce. 
When their clients go to the castle they need to get them back because it is still part of the trial. In Ireland, they find out that the guy at the festival was not a real priest, it was just a bit of folklore, they’re not really married. At this point he leaves, but she realizes she doesn’t want him to, so she goes after him. Back in New York she goes to see him and clear things up, and they call the judge to get married for real. Really, the judge’s scenes and the mother’s scenes were the best of all.
Thorne and Serena of course got back together as well, before they did.

That’s it.

Moulin Rouge! - 2001

I don’t like this movie, sorry but I don’t. I don’t like how it’s made, with the camera shots moving erratically here and there, with the exaggerated colours… also I don’t like the story, but that’s basically the Traviata story, without the good that comes with the opera. 
The lead character is Christian (Ewan McGregor) who writes the story, telling us what happened since he came to Paris from England a year before. The opening credits were nice, black and white, it was a good start, with a song introducing the story. It’s Paris, 1900. The Moulin Rouge was a “night-club and bordello” (I didn’t know bordello was used in English too) where the rich and powerful used the young and beautiful.
The most beautiful of all was of course Satine (Nicole Kidman, here she still had her long red hair, beautiful), a courtesan, called the Sparkling Diamond, who sold herself to men, he says. Christian cries, says he loved her (of course he says that, but that’s not love).
He tells us right away that she’s now dead. 
It all began in 1989, when he came to Paris to be a writer but didn’t know what to write. He wanted to write about love but had never been in love.
One day a man fell from the ceiling into his room, so Christian met a group of actors. He joined them, and won them with his words “the hills are alive with the sound of music”; their writer Audrey went away and he remained with them to write the play. Christian was yet unknown, had never written a play before, so Tolouse (John Leguizamo) suggests he should recite his poetry to Satine, and if she likes it she’ll convince Mr Zidler (Jim Broadbent). 
Christian speaks about love in song titles “love is a many-splendored thing, love lifts us up where we belong, all you need is love”, the thing someone says who doesn’t know what love is. 
They all go to the Moulin Rouge where she sings. The “we can cancan” song  scene is very noisy and full of aggressive colours, no doubt to show what a mess the Moulin Rouge is. Then there is silence because Satine arrives, singing ‘diamonds are a girl’s best friend’ with bits of ‘material girl’. Zidler has arranged a meeting between her and the Duke: she’s supposed to sleep with him to convince him to invest in the Moulin Rouge, and she could finally be a ‘real actress’. 
There’s an absurd moment when she mistakes Christian for the Duke and therefore invites him to dance with her, and then into her room. There’s a ridiculous scene when he thinks he’s there to recite poetry, while she makes weird noises and shouts at him to ‘free the tiger’…
He starts his poetry by reciting “it’s a little bit funny this feeling inside” while she rolls on the floor for some reason, maybe she thinks that’s provocative… then he starts singing to her, and she falls in love, and is so surprised and glad “I’m in love with a young talented Duke”.
Now of course the truth comes out, and Zidler comes taking the real Duke to see her. Christian hide, she acts very crazy so that the Duke won’t see him, and then she sends the Duke away saying they’ll have to wait till opening night… after all the exhaustion she faints in Christian’s arms, right when the Duke comes back. She tells him that they’re rehearsing, and the actors who were spying on Christian to see how it was going come in to help her with her lie.
The Duke asks what the play will be about, and Christian says “love overcoming all obstacles; in India, a beautiful courtesan…” etc, basically their own story, the love for a penniless sitar player while the maharaja wants her too.
While explaining the story they all sing the “so exciting” bit, which would have been nice had it been all in one shot or maybe just one long sequence of all the actors together, but instead it was a close-up on a face-followed by a very quick close up on another face, for a long time, it made me feel unwell :-/
Anyway, the Duke says he likes it and wants to invest. They’re all happy, Satine sings “one day I’ll fly”. Christian goes to her to thank her for the job and talk about when she said she was in love with him. “I’m a courtesan, I lied” she says, adding “a girl’s got to eat”.
He sings pieces here and there about love, and wins her over.
The Duke is jealous, says that by contract Satine is his!
Satine and Christian become secret lovers right under their noses, until Zidler finds it out and tells her to stop it. Both the Duke and Christian demand to see her that night, but “sickness is tougher than jealousy, stronger than love”, and she’ll meet nobody that night.
Zidler sings “she’ll be yours” with bits of “like a virgin”, and the Duke joins in and sings too. 
The doctor tells Zidler that Satine is dying, she has consumption. This was Zidler’s sweetest moment, when he said “my little sparrow is dying?”.
Satine tells Christian that she was unwell that night,  that’s why she didn’t go to meet him, but he doesn’t believe her, he’s so jealous :-/
She tries to end it, saying that she’ll have to sleep with the Duke sooner or later and he’ll suffer too much because he’ll be so jealous, but he convinces her and they don’t break up.
While rehearsing, they sing together “I’ll love you till the end of time”; the Duke is unhappy, a girl put in his ear the doubt that Satine might be in love with Christian (and she knows what she is, no need to use words on her, and is probably happy about it), so the Duke wants to change the story, says that the courtesan should choose the maharaja who’s giving her the world, until Christian shouts as loud as he can “she doesn’t love you!” the stupid little boy. 
The Duke is now tired of waiting, he wants Satine now, and of course Christian is terribly jealous. 
The Argentinian actor dances a tango with a girl while singing Roxanne.
Satine can’t pretend as easily as she used to, he gets angry, takes his gifts back, becomes violent, tries to take her by force, but Chocolat saves her, hitting him on the head. 
The Duke tells Zidler that unless she goes to him, he’ll have the boy killed. Zidler tells her, what can he do? He also tells her that she’s dying: “save him, make him believe you don’t love him”-“hurt him to save him”.
Zidler sings “the show must go on”. Satine tells Christian ‘the Duke offered me everything, I can’t see you anymore, the Moulin Rouge is my home, the truth is I am the Hindi courtesan and I choose the maharaja’
Chistian is mad jealous; Toulouse tells him he saw it in her, he knows she loved him, but of course Christian doesn’t listen to him; instead he says that he had to know and that’s why he went back to the Moulin Rouge.
The show is on, and when the Argentinian actor falls again he takes his place and goes to Satine, showing how shitty he is and she still loves him, I just can’t! (And some people wonder why women still love the MrDarcy character so much: maybe because after she rejected him in such a way he went ‘this is what you think of me’, and worked to show her who he really was, he didn’t go: ‘how dare you reject me?’ , he didn’t offend her, didn’t call her names, didn’t talk about her in a rude way…).
After so many void words of endless love, now Christian goes to her to say “I’ve come to pay my bill” and to keep insulting her. On stage, he says to the Duke “she’s yours, I’ve paid my whore” and they don’t throw him out with a good kick, no no, as if he had any right to talk like that. They called him ‘penniless writer’ at the beginning, but he still has a good home to go back to if he wants, and even if he didn’t have a job he had a place to stay and food to eat… what does he know about ‘need’ ??? Or about love for that matter, because that’s not love, not at all, that’s just a child throwing a tantrum, that’s a spoiled child crying that he wants something and whoever doesn’t give him what he wants is ‘bad’… basically he loved her as soon as she did whatever he told her to do, but insulted her as soon as she left him…..
When he starts walking away, she sings to him to get him back, not knowing that the Duke’s hitman is trying to kill him (honestly, the hitman moving through the dancers and the musicians to get his gun back was the only funny bit). He fails though.
Christian smiles, Satine falls sick, he can see her coughing blood, understand she’s dying. He cries.

Months go by then he decided to write his story about ‘love’.. :-/  She really loved him, he never really loved her!

Aliens in the attic - 2009

It’s not too bad, it’s kind of fun. I mean, it is stupid, of course, look at the title! Something called ‘aliens in the attic’ must be taken for what it is, definitely not too seriously. It’s a teen movie, and the acting skills are like optional, I’d say, but still it’s rather enjoyable. There’s a lot of slapstick comedy, with people falling off the roof and getting back up without a scratch, and a lot of weird faces-movements from the Ricky-character.
It features a family, father mother and teen kids Bethany (Ashley Tisdale) and Tom (Carter Jenkins), and child Hanna (Ashley Boettcher) who go on a family vacation. They rent a house in a place where a meteor shower is expected, and are joined by granma, uncle Nate, cousin Jake and two other cousins, twin brothers. 
A little background is provided: Tom is very smart but he fails his school texts on purpose because he wants to be cool, not a nerd. His dad is angry with him because he expect more from him. Bethany is basically Sharpay, the vain girl who only thinks about her handsome boyfriend Ricky and is annoyed by her younger brother. Ricky is stupid but also not nice to Tom and full of lies for his parents. Since Jake’s parents divorced, his father has felt guilty and therefore gives him everything he wants, so now he bullies his brothers and his cousin.
That’s it, and that’s plenty enough, even too much. Less father-preaching-scenes would have been nice.
The story begins when the tv breaks down, and Tom is sent to the roof to check it and repair it. He sees that the dish has been destroyed, and at that point Tom and Jake both see four small aliens, rather aggressive: the Zirconians..
Ricky comes to see  what’s taking so long, and he’s hit: the aliens now have complete control over him.
Tom, Jake, Hanna and the twins all see the aliens; they run away and try to lock them in the attic. When they learn that the mind-control weapon only works on adults, they realize they can’t have any adult go near them or they’ll become enemies, so they must fight the aliens themselves.
The kids all fight them in their own different ways, while little, adorable Hannah make friends with the smallest alien, the engineer, called Sparks I think. There is a rather humorous fight between alien-controlled-Ricky and twins-controlled-nana, that ends when she breaks the little device in Ricky’s neck so he’s not controlled anymore, and nana can kick him into another room. 
Bethany comes looking for Ricky and sees both the end of the fight and the aliens, so now she’s part of it too. 
A sweet moment is when she wants to do something, don’t remember what, but the twins say the won’t do anything without Tom because he’s their leader :-)
As soon as he comes to his senses, Ricky breaks up with Bethany, saying that he knows already which girl to ask out :-/
The aliens take Sparks back and force him to build their machine: they want to call the other aliens to invade the Earth, of course.
The kids make menthos-coke-bombs to throw at them, and Sparks helps them saying to the incoming alien ships to retreat. They fight a bit more and then, I guess the aliens go away. I only remember Sparks going away, and the alien leader being taken by an eagle or something. I don’t remember what happens to the other two..
Now that it’s all finished, they can enjoy their family vacation, and at the end we see that Ricky really went to another girl, only to make a fool of himself because Bethany and Tom still have control over him and make him do a lot of weird stuff… 
I mean, Ricky shouldn’t be controlled anymore, but who cares, this is not the kind of movie where these details matter.
During the credits, there is the gag reel, with lots of mis-delivered lines, hitting for real, falling down, props not working, that kind of stuff.
ITA alieni in soffitta


28 days later... - 2002

It wasn’t bad, as a movie in general. Not sure it’d get high praises from zombie-fans because there’s very little of that… it’s not living-people against living-dead, and it’s not humans against monsters; it’s more like a handful of decent humans against shitty humans, with a small side-dish of zombie-with-the-rabies.
Everything starts with three stupid people breaking into a lab: experiments on monkeys are conducted there, but when a man tells them that the monkeys are very dangerous because they are infected, they have the rabies, the ‘animalists’ just don’t care, or don’t understand, or can’t be bothered to think, and go on opening the cages. The first monkey, as soon as her cage is open, goes straight for the girl! Once bitten, the girls coughs bloods (lots of it, or at least I thought it was blood) and attacks others. 
28 days later appears on the screen and we see a man waking up at a hospital. He’s completely naked, don’t know why… it seemed rather weird, but moving on. He wakes up, finds some clothes and tries calling for help, but the hospital is totally empty, and also in a rather messy state.
He goes out, calling for help, but London is deserted as well, not a soul anywhere. A newspaper titles “evacuation” and speaks about an ‘exodus of British people’… Still confused, the man enters a church and sees a lot of people apparently asleep together, and when he calls out a priest comes stumbling quickly towards him, his face all bloody, clearly not well :-p and he runs away. Now everyone in the church has noticed his presence and they all go after him: luckily for him a man and a woman save him.
Now he can talk to someone, and we learn that he’s Jim (Cillian Murphy) and his saviors are Mark (Noah Huntley) and Selena (Naomi Watts). They tell him what happened, about the epidemic spreading so quickly, everybody died. Jim can’t believe it, and wants to visit his parents’ home. He only remembers having an accident and nothing more. At his parents home, he sees their corpses: they killed themselves leaving him a note that reads something like ‘now we sleep with you, do not wake up’. It was actually a very touching note.
During the night Jim lights a candle to look around and think of them (it all happened so fast, he probably couldn’t catch up so quickly.. ).
The ‘infected’ see the light and break into the house. They all fight, but Mark gets hurt in the arm, so Selena kills him before he changes.
They start walking around as soon as it’s daylight, and see lights up on a building. They go there and meet Frank (Brendan Gleeson) and his daughter Hannah (Megan Burns). There’s no water but Jim still shaves his beard, cutting his face: sure he looks better and is now cleaner, but that doesn’t seem to me the smartest move… now he doesn’t need to be bitten, to get infected it’d be enough for some blood to be spilt on his face… anyway, this is a movie and appearances matter more than reason.
Frank has a power generator, and has them listen to a message on repeat saying that a group of soldiers have a cure and can protect anyone going there. Frank think it’s worth trying, because they can’t stay there forever.
He has a taxi, so they all go. They take a tunnel, had to change a tyre there, they go on, stop to get some fuel, and Jim enters the place alone, mumbling that Selena’s worries are annoying, but of course she’s right, and he gets attacked by an infected child and has to kill it. They go on, stop to get some food at a supermarket, then they eat in a field, and finally we see Selena’s smile, so pretty :-)
They finally arrive at the coordinates given in the message, but see nobody. Frank is desperate, loses his mind, shouts at a crow (I think it was) trying to scare him away while he was feeding on a corpse, and while Frank is looking up a drop of blood gets in his eye, and he changes. Selena shouts at Jim to kill him, but he doesn’t need to because soldiers appear shooting Frank dead. They take them all to the camp, and you could feel that something was not right when the soldiers used their radio to tell the camp that they found a man “and two women”… just the way he said that, and I thought “a woman and a girl…”
Major West (Christopher Eccleston) shows them around: it was not what they expected. There are less than a dozen soldiers there, West keeps an infected soldier prisoner to see how long it takes for him to die, and finally he tells Jim that to keep his soldiers alive and hopeful he had to promise them women! 
Jim tries to escape with Selena and Hannah, but they’re stopped. Only sergeant Farrell (Stuart McQuarrie) tries to help them, and will be killed for it. While still prisoners, Farrell tells Jim “think! actually think about it. What would you do with a diseased little island? They quarantined us” and “just people killing people, he’s insane!” talking about West.
When they kill Farrell, Jim manages to escape them. He runs away, and sees a plane in the sky! 
He activates an alarm to lure them out; he knocks one down (kills him I think) and takes his weapon. Goes back to the camp and frees the infected soldier by shooting at his chains (pretty good shooter! is it so easy?), so now the soldiers die one by one. One of them tries to hide in a room, and when he sees Jim he says crying that he has no bullets, begging him not to leave him alone, but of course Jim goes away, he has things to do (how could they not think about how many bullets they were wasting, I can’t understand how stupid they were..).
Jim reaches Hannah and Selena, and it’s a lovely moment when she’s about to hit him and he stays very still, and she doesn’t, and he tells her that that was longer than a heart beat, because she always told him that if she thought he was infected she’d kill him in a heartbeat… that moment reminded me of the Saiyuki moment when an out-of-control Hakkai is about to hit Gojyo but stops when he sees him very still, looking at him… awww
The three of them run away, get into the car but in the backseat there is West: “you killed all my boys” and shoots at Jim. Hannah starts the car, reverse towards the soldiers where the infected pull West out of the car, then she drives on, stopping only for Selena and Jim.
28 days later… Jim wakes up :-p he’s living in an isolated house with Selena and Hannah. They use all the cloth available to sew together a big thing (well, Selena is the one doing the sewing of course, because she’s the woman…). When Hannah hears an helicopter approaching, they spread it across the field, a lot of cloths spelling the word Hello very very big, so that they are finally seen :-)
(wasn’t the hello sign all white? didn’t they use any kind of coloured cloth they could find?…)
Anyway, the film ends here but it’s clear that the world has not ended, the infected are dying of starvation because there are no more people around, and now someone will come for our three survivors :-)
ITA 28 giorni dopo


lunedì 22 gennaio 2018

Star Trek Beyond - 2016

I loved it. Of course I did, but let me say it anyway, I loved it. I saw it on dvd this time, had no rush to go to the cinema because I had heard nothing juicy about it, only that there was one, but nothing more to thrill me and get me to the cinema (unlike the second movie: when Into Darkness came out I knew already that Benedict Cumberbatch was going to be Khan, and that was thrilling, I couldn’t wait to see that!). This obsession against the so-called spoilers is rather annoying, when it goes too far: okay don’t tell me everything, I want to see it, but at least a little something to raise curiosity!!!

My favourite part were the Spock-McCoy scenes :-D lovely bromance :D

Story: it starts with Kirk acting as a messenger of peace between two species, the Teenaxi (I think) and the Fibonians, but it doesn’t go well :-p and it was rather funny when those menacing-aggressive-beast-like creature with big eyes got angry and attacked and they turned out to be rather little, but a lot of them :lol: He offers them a gift from them, and they ask “what’s wrong with it? why don’t they want it anymore?” :lol:
It reminded me of the BTVS episode when Fear turned out to be very very small :-p
Also it reminded me of the Sherlock episode with The Woman, when she told them that someone loves him because he hit him without ruining his face, and here too, the many Teenaxi (I think), after talking about fearing that the Fibonians will kill them all in their sleep, they attack Kirk and we can see that although small they attack all together but they avoid the face completely, they avoid all the skin actually, only rip his shirt :-p
When he’s beamed on board, a couple of Teenaxi are taken as well :-p and are not brought back because we see them on the ship during Kirk’s speech (to us: his personal log I guess).
Kirk seems to be rather bored, or discouraged: “just another day in the fleet”. It’s the 966th day in space of their five-year mission. 
They stop at Yorktown “Federation’s newest and most advanced starbase”
Kirk feels off, maybe as Bones says he’s just trying to figure out if this is really the life he wants or if he’s only doing it for his father. 
Kirk asks Bones to keep his birthday a secret and Bones replies : “you know me, Mr sensitive” yeah right, as if I’d believe that for a second :-p
—but excuse me, but 966th day in space means this it at least his third birthday in space with the same people around, so what about the other two?? 
Bones understands he doesn’t like it because it’s also the day his father died. Bones asks “are you gonna call your mom?” - “of course I’ll call her today” and let me say this, but it seems so sad to me this mom-figure:Kirk always thinking of his dead father, when does he think of his alive-mother??? So focused on what he has missed, never thinking of what he has.
We see that he asked for a ViceAdmiral position at this base!
The 966th day is stardate 2263.02… (read below)
Bones calls Yorktown a monstrosity “couldn’t we just rent some space on a planet?” and Spock “showing geographical favouritism among inducted Federation worlds could cause diplomatic tension” :-) my Spock :)
It seems to Bones a “big snowglobe in space waiting to break” :-p I find it beautiful, specially the close-up shots.
Twelve minutes in, Spock receives some news from two Vulcans, and a tear came to my eyes when I saw what it was: Ambassador Spock is dead. Yes he is, isn’t he? *sobbing*
—side note help please. Those stardates: 2230.06-2263.02 are because he would actually, by dates only, appear as old as young Spock of course, right? All his years in between those dates were all in the future :-)
Spock and Uhura broke up, so did my heart :(
An unidentified vessel comes asking for help, so of course the Enterprise goes as it always does. An uncharted nebula, an unknown part of space, where a lot of little ships attack them simultaneously and damage the Enterprise very very badly. They want the Abronath. Spock is the first to tell Bones “we must evacuate, now”. The ship is in pieces, literally, and those still alive leave in pods, but they’re all taken—well, all but three: Kirk Chekov and Scotty.
Spock and Bones were taken but fought back and took the assailant’s ship.
The alien tells Kirk a story about being forced to take them here to be attacked, in order to protect her crew..
Spock is badly injured and Bones does what he can given the circumstances, to stop the bleeding. 
Jailah helps Scotty and takes him to her ‘home’: the USS Franklin, lost since the 2160s. Kirk Chekov and the alien go back to the saucer and find out she was actually working for Krall and following them to get the artifact. Sulu and Uhura try to send a distress signal but fail, and Krall shows them how he managed to prolongue his life by consuming others.
Since apparently ‘massive blood loss’ makes Spock philosophical, he starts talking to Bones. He tells him that he started feeling the obligations of making ‘little Vulcans’, and that then he learned of Ambassador Spock’s death, and Bones doesn’t notice he’s crying. Young Spock tells Bones he wants to live as older-Spock did, so he decided to “continue his work on New Vulcan”, which would mean leaving Starfleet but hasn’t found the time to tell Kirk yet. 
“Hell I don’t know what he’d do without you. I mean, me on the other hand, I’d throw a party, but…” and now Spock laughs and Bones finally notices “my God, you're getting delirious” :-p
When Kirk and Chekov set off one of Jaylah’s traps they reunite with Scotty (who calls them “wee man” and “handsome bastard” :lol: )
Aboard the Franklin Kirk finds a motorbike like the one his dad had when he was a kid  (and the italian translation went : when I was a kid, which of course makes no sense:-/ what a pity, it was going so well)
They try to trace the others, and when they locate Bones and Spock, Scotty asks Kirk’s permission to try and beam them aboard “because if I mess it up I don’t want it to be just my fault” :-p
Bones helps Spock walk; “leaving me behind would significantly increase your chances of survival Doctor” but of course Bones says it’s out of the question. Spock says “it is imperative that you locate any surviving crew” - “and here I was thinking you cared” :p - “of course I care Leonard” 
!!! He called him Leonard! My heart! Don’t know why, but it touches my heart, coming from Spock. I mean, he called him Leonard… sigh.
“I always assumed my respect for you was clear. The dialogue we have had across the years has always..” - “It’s okay Spock, you don’t have to say it” (because he knows and because it sounds like a dying man’s speech I guess). They are surrounded by enemies and Bones says “well, at least I won’t die alone” and right at that moment Scotty beams Spock away and he disappears :-p As he prepares to fight alone he’s brought aboard the Franklin too. :-) and now Bones can treat Spock better with some old medical equipment.
Spock:”the miserable have no other medicine but only hope” - Bones:”Death’s door and he’s quoting Shakespeare” :-p
I love how they get back to acting all bickering in front of others but sometimes exchange secret glances that nobody else sees :-) I love it :-D
Kirk gave the artifact to Ensign Syl, but now she gives it to them to save Sulu’s life, and later she’ll be killed by that weapon-artefact. 
To confirm the location of Krall’s base, Spock has Chekov look for Vokaya, “a mineral unique to Vulcan which emits low-level radiation”
 because Uhura “wears a Vokaya amulet which I presented to her as a token of my affection and respect”
Bones:”you gave your girlfriend radioactive jewellery?” :-p
“the emission is harmless doctor, but its unique signature makes it very easy to identify” - “you gave your girlfriend a tracking device” :lol:
They all look at him :-p “that was not my intention” :lol:
It belonged to his mother, so it must have been very important to him :-D
At that phrase, Bones says “I’m glad he doesn’t respect me” :-p adorable, they are among people, they have a reputation to uphold :lol: lovely :)
Jaylah knows the place because that’s where she escaped from, but is scared and doesn’t want to go back to that ‘place of death’, and Scotty follows her to talk to her. Kirk says “let her go” and Scotty “she’s lost people too, Captain” Good Scotty :-D He calls her ‘lassie’ and I find it so sweet :-)
When she was there, many people were killed, and her father too, to let her escape, but Scotty tells her “my wee granny used to say, ‘ya cannae break a stick in a bundle’. You’re part of something bigger now lassie. Right? Dinnae give up on that, ‘cause we’ll sure as hell never give up on you. That is what being part of a crew is all about”
They make a plan and Spock suggests that Chekov would be more useful on the Franklin and that he should replace him on the field. 
Kirk: “how is that logical, Spock? You just got back on your feet” - “lieutenant Uhura is in that facility Jim” no other explanation needed of course. Bones: “I’ll keep an eye on him” :-)
Of course Kirk will use the bike, that was obvious, otherwise why show it right? Also, he uses Jaylah’s holographic device to appear in many places at the same time (like Loki does, always cool).
Here, if you care about this sort of thing, it's not very believable that he can ride that bike that way, on such a tough, unrideable terrain.. even an off-road champion would find it hard I believe..
Spock and Bones free the crew but since Uhura is not with them Spock goes to find her but is attacked and being already injured it’s not going well for him, but Uhura saves him by hitting the bad guy over the head with a rock :p She always saves her boyfriend :-D
“Spock, what are you doing here?” - “clearly I am here to rescue you” :-D adorable :)
Jaylah fights Manas (or something) but it’s clear she couldn’t win in the long run, although she stands her own pretty well, and it seems from her expression that for a moment there she thought they’d leave her behind (good scene, great shot of Jaylah). 
The others are all on board, the last group is McCoy’s, but he waits: “wait for my signal” and “damn it man we’re not leaving without them” :-) of course he’s a doctor and that actually means everything in movies.
He was waiting for Spock and Uhura, Kirk and Jaylah had their own devices (that they were supposed to activate to be beamed on board), but in the fight she lost hers. 
The guy tells Jaylah “they will leave you here” but of course Kirk gets her in mid-air, literally. It's one of those scenes, you know, good to see but that don't completely make sense, do they? He activated his device far in advance, then he called her name, launched himself towards her, finally took her hand, and that's exactly when they are beamed up... one could say, how come it was taking a long time to beam him up and yet as soon as he touches her hand in mid-air they disappear?....
They ‘jumpstart’ the ship by throwing it down a canyon, then they ‘disorient the bees’ with loud music (… really? …) and Spock goes among them in one of their little ships and suggests to Kirk that Bones go with him because he’s familiar with his injury and the ship as well “he’s gonna love this” :lol:
They cause a chain-reaction that brings down the whole swarm :-/ just like that :-/  with some loud music :-/ Again, it's one of those cases when a terrible enemy is presented, one that seems unbeatable, and at the end they use some simple trick to destroy it: sometimes it's 'they are all controlled by one mother-ship, just destroy that one and you win', or maybe they are all controlled by just one main computer, on in this case they were all connected and all they needed was to interfere with that connection... with loud music... and the enemy ships exploded... just like that... it doesn't really make a lot of sense, but it's rather spectacular to watch, specially when they gave the music to the Yorktown base too and they amplified it, and the station's shields resonated like a big loudspeaker..
Watching an old video of the crew of the Franklin, Uhura recognizes Krall in Captain Edison (but if only three remained of his crew, who are all those people around him?)
Edison fought the Xindi and the Romulans in his days. 
When Edison tells Kirk that he’ll die, Kirk says that it’s better to die saving lives than live taking them, and I guess that’s the moment when he sees who he is and what he wants to do.
Kirk stops Edison from using that weapon to kill everyone in Yorktown, and Spock saves him after that. “what would I do without you Spock?” awww
Commodore Paris tells him that the Vice Admiral position is his if he still wants it: “vice admirals don’t fly, do they?” - “no they don’t” - “where’s the fun in that?”
Spock finds a picture in old Spock’s stuff of the Enterprise main crew, after their last mission I’d say given the age, hair color and big collars.
Of course they’ll both stay :-)
At the end, Bones has thrown a surprise birthday party for Kirk :-)
Uhura tells Spock “I thought you had to finish your mission report” - “I do, but I thought it would be more pleasing to engage with you socially” - “you old romantic” :adorable: :-D
Kirk got Jaylah into Starfleet Academy :-)

The end is a lovely shot of them all getting closer, looking out the window at the Enterprise being rebuilt, except Uhura and Spock that look at each other :lovely:


Kirk-Chris Pine
Spock-Zachary Quinto
Bones-Karl Urban
Uhura-Zoe Saldana
Scotty-Simon Pegg
Sulu-John Cho
Chekov-Anton Yelchin
Krall-Idris Elba
Jaylah-Sofia Boutella
Syl-Anita Brown

Self/less - 2015

It’s a very strange but interesting movie, glad I saw it once, not so sure I want to watch it again. 
Damian (Ben Kingsley) is a multi-millionaire who has now only six months to live; his only relative in the world is his daughter Claire, but they don’t have a good relationship, he left her when she was a little kid.
One day he finds a card in his pocket: “they can help you” written on it. He goes to that place to see what is it that they do, and is told that they put a person’s consciousness into a lifeless body, so the person can live again.
When his sickness gets worse, he agrees to it. He kills himself in public, so that everybody knows he’s dead, and his body is taken to a lab where, with a procedure, his body dies but he lives on in a young body (Ryan Reynolds). From now on, it all goes down. As he awakes, an image of a field and maybe a woman on a horse pop into his mind, very vividly. He’s told that it’s an hallucination, that it’ll pass, that he just needs to take pills everyday and he’ll be fine. They give him a new identity and a place to stay in another city. They give him seven pills, just for a week, then he’ll be given more, a week at a time (this is one of the things that doesn’t really make sense to me, because they want him to take the pills! They absolutely do not want him to stop taking the pills! So why don’t they give him more of it? So that he can’t analize them? He’d only need one for that, couldn’t he do it at the beginning of the week? He’s so rich! Makes no sense to me)
He starts a life of parties and a different woman every night (of course, that’s the usual definition of ‘having fun’ apparently: drinking and having sex with lots of different girls… :-/ the same old stereotype, are men really so void? Their idea of a good time and after day, is really just that? If they have that, they really don’t care for friends, hobbies, interests, feelings…? According to the movies, men only care for drinking and having soul-less sex. It’s so sad, it’s a pity)
Anyway, Damien was old so now he enjoys it for a while then starts getting bored, of course. One day he misses one pill, doesn’t take it, just one and more images of a home and a woman and a child fill his mind. 
They tell him it’s just hallucination and that he needs a change, maybe moving to another city will help; instead, he goes to the place he saw in his ‘hallucination’ ( I have no idea on how did he know where that place was).
He meets a woman who calls him Mark, says he’s her husband and she believed he was dead, she was told he was dead.
Some men come after him but they all escape out of there alive. There’s a lot of running away, car chasing scenes, soldier-like-fights…  :-/ 
He escapes and goes to see his old friend Martin (Victor Garber), my fav in the movie. It was Martin who put that card into his pocket, he knew of them because two years ago his young son died and he had him “reborn” in another body. Damian sees a child in the house, understands, and tells them the truth: Martin believed that the bodies were created in the lab, and is horrified, shocked when Damian tells him that they’re not, those people use somebody else’s bodies, and that they took somebody’s son’s body so that he could have his own son back… but after two years there’s no way of turning back, nothing they can do for that child (plus, how sad it is that Martin’s son, since the world thinks him dead, can never go out…).
Again Damian runs away with Mark’s wife Madeline and daughter Anna; they are captured, but he rescues them and sends them away, for their own safety. He writes a goodbye letter to Claire and then he goes to the Caribbean (where they are I guess) and then he stops taking the pills (of course, how could it end otherwise? It’s a movie) so Mark can return to his wife and daughter. Of course. A nice ending. Obvious, but the right one, a different ending would have been a surprise, but a bad one.

I like the beginning and the end of the movie, what I don’t like it’s the middle, when he becomes a sort of die-hard-Rambo…it's incredible like American movies make it look like any guy could easily beat trained guards/soldiers...  it’s so absurd, that it brings down the whole thing. 

Alien - 1979

I actually saw it now for the first time ever! Yes, it’s incredible and yet it’s true. Well, I couldn’t have seen it when it came out, but I should have seen it twenty years ago :-/   I understand why it’s so famous, when it came out it must have been really something! It’s a good movie even now, considering that all their technology seems silly now (lots of lights to mean big technological procedures going on, and all the computer written interactions), and that we’ve seen those kind of tricks to scary people many many times.
It starts slow, obviously, even boring in a way: A cargo starship is heading home to Earth. The crew of seven people wakes up from their hibernation, and we meet them when they sit around the table to eat: five men, two women and a red cat, Jones :-) He woke up too of course :-p
Lambert (Veronica Cartwright) informs them that they are only half way home, and it turns out the main computer that they call Mother woke them up because it received an unknown message that might, just might be a distress call, so they are forced to check it out or they won’t be paid for their work. They head towards the signal, land, and three of them go check the place out. They find some kind of starship stranded there, and go in to see. Kane (John Hurt) finds a sort of cocoon on the floor, and it seems to be moving, and he can see something inside… then thirty minutes into the movie a strange thing jumps out at him and hits him on the helmet! After that the three of them head back towards their ship, the ‘Nostromo’.
Ripley (Sigourney Weaver) had been trying to figure out the message meaning, and is not convinced it’s a distress signal, she actually thinks it’s a threat, so when they come saying what happened, she refuses to open the door for them. They insist, saying that Kade needs to be taken to the infirmary, but she refuses even if the commanding officer (Dallas=Tom Skerritt) is outside ordering her to open. Quarantine procedure obviously don’t allow for unknown, mysterious things to be brought in without being checked before. Ash (Ian Holm), the science officer, meaning medical officer too, opens the door breaking procedures. They bring Kane to the infirmary, and see that the thing has broken the helmet and attached itself to his face. They don’t know what to do, so Dallas orders Ash to take it off him: they try cutting its fingers-like-tentacles, whatever they are, but immediately a yellow liquid comes out and burns a hole in the ship floor. It’s a powerful kind of acid, they can’t do anything, but after a while it detaches itself. When it jumps on Ripley she doesn’t know yet what’s going on, but it falls on the floor, dead. Ash insists on doing some tests, on taking it back home with them. 
Dallas wants to get the hell out of there, of course, so they take-off: it’s still a ten months journey before getting home, so they plan on going back to sleep. Kane seems fine enough now, but is very hungry, so they sit to eat together before hibernation. All of a sudden Kane starts feeling sick, couching and trembling and they can barely hold him still when something comes out of his chest, spreading blood everywhere. A little alien looks around then ‘runs’ away. Ash’s words that he did what he thought best to save Kane’s life, his opening the door for him brought them to this: Kane dead and a little alien loose on their ship.
They plan to search the ship for it, with a net and an electrified stick: I think they wanted to capture it at this point, not kill it. They think they have found it but it’s actually Jones :-p Poor thing runs away and Brett (Harry Dean Stanton) goes looking for him; he finds Jones running away for his life, and a much-bigger-than-before alien kills him. Now they are more serious in their search, but Dallas gets killed too. 
Lambert wants to abandon the ship and escape in their shuttle, but Ripley - now in command - says there isn’t room for four in it so they must find this alien and kill it. When an angry Ripley confronts Ash, he attacks her trying to choke her (in a strange way, trying to force a rolled-up-paper into her mouth) but Parker (Yaphet Kotto) saves her and hits Ash, swinging a metal bar or something at his head. Which almost detaches itself from the body.
They see now that Ash was actually a robot: they activate its head to find out what is going on, and it reveals that the secret mission was to bring back new life forms at any cost, that was the priority, not their safety. Ripley wants to know how to kill it, but Ash says that they can’t, that it’s a perfect lifeform…
Now it’s only three of them, so Ripley wants to escape together with the shuttle. While Parker and Lambert gather the things they need for the long journey they are ‘confronted’ by a now-very-big alien: Parker shouts to get away, but Lambert is petrified, so instead of using the flamethrower Parker tries to attack the alien himself, but of course is killed, and crying Lambert is killed too right after him. Parker had gone looking for Jones, had found him and put him in his carrier when she hears their screams. Now alone, she activates the ship’s self-destruction then heads towards the shuttle with Jones in one hand and a weapon in the other. At a turn, she sees the alien, so leaves Jones there and runs in the opposite direction. She’s too late to stop the self-destruction procedure, so her only chance is to go back to the shuttle. She only has five minutes. Alien is no more in sight, so she picks up Jones’ carrier and enters the capsule (the door was already open..)
She only has one minute to escape, so she take-off and watches the Nostromo blow up. She puts the cat to sleep, meaning in its hibernation-capsule, then takes off her clothes to go in her own pod, but right then she sees that the alien had hidden inside the shuttle! It doesn’t move much, seems somehow weaker, and she hides in a closet: she looks at it and slowly puts on a spacesuit, then she sits down and straps herself to the chair with a belt. She uses something to make it come out of its hiding place (don’t know what, don’t think it’s gas because she’s in there too, but it could be since she’s in the spacesuit), then she opens the airlock in the intent to have it sucked out of the shuttle. She fires at him some kind of harpoon and then activates the engines to burn it, or at least have it away from the ship into space. Finally alone, she records her final report on what happened, and then puts herself in a pod to sleep until she gets home or until someone finds her and rescues her, the only survivor of the Nostromo.
At this point we don’t know if she gets home safe, the last image is Ripley sleeping…


Agatha Christie's Poirot: The king of clubs

The title refers to a card missing from the table where the family said that they’d been playing bridge for over an hour, quite unbelievable without a king; Poirot noticed and understood, the police didn’t and didn’t :-p
They were too busy checking out local gypsies.
This is one of the nice episodes, I liked it, very true to Poirot's old softy self. :-p
A film producer was blackmailing Valerie, an actress whose father’s real identity is that of a man accused of embezzlement. The family changed their name, and Valerie kept secret her relation to them, but if made public the scandal would make it impossible for her to marry Prince Paul. It’s him who calls Poirot, asking his help in keeping their names clear after the police gets involved. 
She declares that she found the man dead in his library and ran to the house that she could see from the window for help (which was actually her home family). The truth is, she was not alone is his house, her brother was with her, and when he hit him, the man fell, hit his head and died. 

Poirot, old romantic that he is, keeps her secret so to spare her any scandal. The case will remain unresolved… :-)

Agatha Christie's Poirot: The adventure of the cheap flat

Poirot Japp and Hastings in a cinema watching a gangster movie :-p Poirot didn’t like it at all, says “Hastings this is the last time” :-p  :-)
A FBI agent is coming to work with Japp on a spy case. As soon as he gets there, he takes over Japp’s office and wants to use his men for a stake out the Italian embassy, around the clock… 
Apparently some submarine plans have been stolen, but this is not Poirot’s case. Instead, he gets rather curious when he learns that a young couple rented a good flat for a very cheap price; the Robinson were given the cheap flat after everybody else had been turned down.
The FBI idiot says that there is no such thing as organized crime… it’s just an American girl trying to sell the submarine blueprints. 
The manager of the club where she sings says that he’s the ‘king of the clubs’..
Carla Romero seduced a man, he stole the blueprints and then she killed him and came to the UK to sell them. She used another name, Robinson, so when she wanted to disappear she waited for a couple with that same name. A Cosa Nostra assassin is looking for her, but Poirot gets them both :-p The FBI guy is not at all happy that it all ended without firing a shot, it’s “no way to run a Country” he says, but he admits that the Navy now owes Poirot :-p
The young Robinson are safe, yet they’ll either change flat or sooner or later they’ll find their rent is gone up :-p